lejonklou wrote: ↑2024-01-17 22:28

Prefer 3,
but it is like you have five children.......

Curious how they daisy-chain when there a 3 outlets each on either side of the inlet - that suggests it's double daisy-chained, left & right, separately... The 'noise-reduction technology' in the P6 makes me skeptical, too... Do you have any experience or knowledge of the internal wiring and/or, mo...

Maybe worth a try is also a new powerstrip from Chord:

https://chord.co.uk/product/powerhaus-p ... ion-block/

They do not use star-wiring like others but daisy-chain the outlets so the hierarchy of devices is ensured.

What are your thoughts on completely rebuilding the crossover with high-quality components? I left my 3677s in their original state. In rebuilding a crossover you have so many variables that the risk is high ending with an unmusical result. I am happy with these speakers as they are. From a source ...

Masi wrote: ↑2024-01-14 15:35 Have you finished outsourcing the crossover to the box? What are your impressions, was there an improvement?

See ML's answer here:

viewtopic.php?p=66243#p66243

lejonklou wrote: ↑2024-01-15 12:51

YES!

Sopper wrote: ↑2024-01-14 17:29

It seems to work only with a Google account.

Masi wrote: ↑2024-01-14 13:30 the story continues:

Hi Masi,

welcome to the club

Enjoy

In comparison to the original (on Spotify?) it sounds somewhat muted, I prefer Brasso.

ThomasOK wrote: ↑2024-01-11 21:56

Thanks Thomas,
I am curious about the technique of (upcoming?) Utopik for power amps.

However, on a technical view it might be interesting why Linn has chosen a much lower switchfrequency at 33,9 KHz for the Utopik, when the former dynamik had 2,5 higher switch frequency than the non-dynamic power supply before that. The voltage output is also slightly lower from the Utopik than wit...

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lejonklou wrote: ↑2024-01-07 19:59 The senseless modifications of Linn gear, made by a guy who has no idea what he’s doing to the music, have been mentioned on this forum before.

Do not give these people your money and don’t let them near anything that you own.

Indeed,
what Rutger posted above is obviously written by this guy...

Hermann wrote: ↑2024-01-06 09:46

Prefer A, but the difference on Kari is bigger than on the other two.

springwood64 wrote: ↑2024-01-05 19:56

Brass for me as well

beck wrote: ↑2023-12-25 00:47 I like what I can hear. :-)

+1
Merry Christmas to all!

Hermann wrote: ↑2023-12-21 10:21

Hermann,
I don't know if it helps but I enabled "Band Steering" on my router so it searches automatically on both 2.4 and 5GHz for the best channel.

springwood64 wrote: ↑2023-12-19 19:00

Thanks Pete!

Played with the big rig I prefer 2.

Playing with MBP/Firefox/HP I prefer B

Isn't slam an aspect of transients just discussed more in regard to bass, but not exclusively? Yes, certainly not excusively. What slam is in the midbass is something like attack at higher frequencies. Both are surely no artefacts made by the speaker but present at a live concert. Some speaker driv...

DelNaja wrote: ↑2023-11-30 08:35 User Music Lover has talked about slam and could elaborate, I'm sure, but I haven't seen him for a long time.

Yes, it is worth to check out his 19 posts here about "slam" :-)

Spannko wrote: ↑2023-11-30 00:03 That’s possibly quite interesting Matthias! Would you like to elaborate?

There are two camps here. The members of both camps are standing on the foundation of the tune method.
But for the members of one camp this is not enough, they do not want to be without "slam" for example.

It is very interesting to search for keyword "slam" on this forum and even more when you combine this with search for author.

Prefer B too